Australian Foods:
http://fooddownunder.com/#4
http://www.recipezaar.com/recipes.php?q=australia
http://www.cultureandrecreation.gov.au/articles/foodanddrink/
Culture & Spirituality:
http://www.princetonol.com/groups/iad/lessons/middle/austral.htm
http://www.crystalinks.com/ayersrock.html
http://www.crystalinks.com/dreamtime.html
Art:
http://www.jintaart.com.au/iconography/iconhmpg.htm
http://aboriginalart.com.au/gallery/iconography.html
http://www.cooinda-gallery.com.au/
http://aboriginalart.com.au/gallery/gallery_intro.html
Mythology:
http://www.mythencyclopedia.com/Ar-Be/Australian-Mythology.html
http://www.godchecker.com/pantheon/australian-mythology.php
http://www.mccsc.edu/~kmcglaun/mythology/australia.htm
http://australianmuseum.net.au/Stories-of-the-Dreaming
I'm working on an alternate history storyline in which the natives of Australia are anthropomorphic canids (variously called "Tingo" or "dogsbodies") who wind up enslaved by Europeans and Americans. To counterbalance the fact that this storyworld has no human Australians, I'm putting some extra energy into promoting Australian culture as we know it in our world.
My answer to cultural misappropriation is cultural investment; I figure that what I get out of a culture should be balanced by what I put into it. I'm also trying to spread this idea to other creative folks in hopes that we can find a sane and decent way to write/paint/etc. about the full diversity of human cultures so it's not all white-bread stuff ... without starting a brawl in the process and without contributing to the already scandalous amount of racism in the world.
Re: Thoughts
July 31 2009, 06:04:45 UTC 11 years ago
I think that is a prevailing truth. It is also true of many other alternate history writers and stories, particularly in terms of people who focus on one thing and fail to realize collateral ramifications.
On the other hoof, it is also true that alternate history is like literary Jenga. Every change you make causes the dynamics to shift, and the more you change, the more unstable the whole thing gets. After some point you have to resist the temptation -- or recommendations -- to change more things (unless absolutely necessary to support your core motif) or else it will all come crashing down.
And of course writers, like everyone else, can get tired. Few things are as frustrating as nearing the end of a big section of work only to have another big section of work dumped on you. I've had characters, and occasionally first-readers, do this to me. Sometimes I just have to set the project aside for a while until I have the energy to do it justice.
As for changing history in my storyline: if you think Australian history gets stuffed in a blender, wait until you see early American history get thrown under a train. (I haven't seen much of Europe yet but I suspect it will get similarly mulched.) The core question I want to examine in this storyline is: How would humanity respond if they discovered another species, clearly sentient but clearly not human, during the period when Europe was expanding into other people's territory and essentially treating other humans as subhuman? (Short answer: badly.) That has tremendous impact on the memes and processes of the time, and offers a lot of different ways to say things like "Humans can be gallant," "Humans can be wicked devils," and "Abusing people is stupid and destructive, suffer, you cad, suffer while I bring out the Authorial Wringer of Doom and pour bleach on the oozing rags of your soul!" (Yes, I like watching nasty characters reap the misery they have sown. I'm a sadist that way.) So it doesn't just change the course of history, it impacts religion and philosophy and ethics and what-all else.
One of the more achesome things to watch is humanity making the herculean effort to absorb a realization it wasn't ready for yet ("humanity is one") and then, precisely because they're out of their depth and exhausted from that effort, fail horribly-epic-botch to make the next leap to "sentient life is one." Some individual results vary on both tests, but those are the trends.
Re: Thoughts
July 31 2009, 06:42:39 UTC 11 years ago
>>I think that's the litmus test. If I, for example (as I said on bachsoprano's blog) can cheerfully write a story about Oliver Cromwell landing in a rather wet, boggy terra nullius west of Wales and cheerfully settling with his Puritans on all this land, to be only occasionally bothered by the odd Irish Elk, then I can write freely about other peoples who have been more habitually erased, both in narratives and in history!<<
I actually did beat Europe nearly to death in junior high and high school. I thought it would be fun to explore how the Americas would have developed into the future if not mostly obliterated by the American Invasion. I had some great scene sketches and stuff. Eventually I gave up because I just couldn't figure out how to beat down Europe far enough, long enough to keep the greedy pigs away, plausibly. (Dad being a history teacher poked a lot of holes in my plot web. "Okay, you accounted for that, but what about this and this?" "DAAAAD! I spent all weekend working on that!" "Well, they're still going to get through." *headdesk*) Not long ago, however, Doug pointed out that if it weren't for Islam, Europe would've had to start from scratch after the Dark Ages because the Muslims saved a lot of earlier material that the Christians were burning like mad. So if I took out Muhammad (which, alas, is potentially offensive to Muslims) that would be a nice crippling blow to Europe; in combination with some other stuff, possibly sufficient for my purposes. That timeline, thus, has come unstuck from the bottom of the great stewpot that is the back of my mind, and may eventually emerge into poetry and fiction. I like the idea of depopulating Europe, even though that will take out a favorite culture (the Celts) because it will make room to boost another favorite culture aggregate (Native Americans, of which favorite tribes include Lakota, Cherokee, and Navajo/Dine). But this one would take tremendously more work; it's probably beyond my reach and I'll need more time to grow into it.
Meanwhile, I've already written some stories with few or no white people in them. "Peacock Hour" (in Triangulations: Taking Flight) is set in a desert so the characters are assorted shades of brown. "Peaches from the Tree of Heaven" (in newWitch) was originally written with one white character, but the publisher changed that one to Chinese-American like all the rest. Thit should help establish that I'm perfectly willing to boot white people off the stage if they're irrelevant to the story at hand.
interesting stuff
July 31 2009, 10:25:09 UTC 11 years ago Edited: July 31 2009, 10:27:58 UTC
I wonder how much our background culture colours and orientates how we see history - fair play that your dad is able to fillet it all out for you, that makes him handy to have around!
I still think with this narrative in place you run the risk of a lot of people not reading any further than "Aboriginal people are dogs?" and taking offence immediately - even if you have done your homework and represent sensitively. I admit it still jars with me also. And now my caveat expressed, II wish you luck with the worldbuilding.