Elizabeth Barrette (ysabetwordsmith) wrote,
Elizabeth Barrette
ysabetwordsmith

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The Hidden Meaning of LOLcats

This comes from How to Save the World:

We Have Seen the Lolcats, and They Are Us: Jay Dixit and New Yorker cartoonist Bob Mankoff ruminate on the appeal of animal cartoons in a wonderful article on Salon. "The animals aren't animals at all, they're stand-ins," explains Mankoff. "They're hybrids we use as devices to talk about the feelings we can't name in other ways." Focus of their attention is a hugely popular collaborative website about "lolcats" (funny animal photos with clever captions) called icanhascheezburger. Many of these dwell on feelings of sorrow, grief, fear, stress, anxiety and pathos that we don't dare relate directly. Some of them develop whole series of follow-up cartoons, such as the walrus series depicted above (the initial cartoon, top, and then a follow-up weeks later). Because it's collaborative, and because it allows us to speak to each other about things that are important but too intense to just blurt out, this is a vital form of art, and connection, a universal leveler to convey the things that matter to us all. And anyone can play.


I am reminded of anthropomorphic (aka "furry") fiction and art. Sometimes it's just smut. But at its best, it deals with incredibly difficult topics such as slavery, racism, classism, existential threats, sanity and insanity, what makes a society work (or fail horribly), ethics, divinity, death, creation, and transformation. For some outstanding examples, I recommend pretty much anything from Sofawolf Press (see also sofawolf here on LJ) ... but if you can only buy one, make it Best in Show. *quick search* Which seems to be out of print. *headdesk*
Tags: art, cyberspace theory, reading, science fiction, writing
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  • 3 comments

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It depends on what you're reading. Some anthropomorphic fiction does tackle those issues. Alan Dean Foster's "Spellsinger" series looks at the issue of what gets eaten. haikujaguar explores crossbreeding in godkin.