Elizabeth Barrette (ysabetwordsmith) wrote,
Elizabeth Barrette
ysabetwordsmith

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Tokenism vs. Representation in Speculative Fiction

I've heard that, in the wake of the Helix ruckus, a number of F&SF editors are announcing that they want to see more submissions from people of color. That's getting a mixed reception, because it looks like knee-jerk panic in some cases: "Hey, look at me not being a racist!"

Some editors may be doing that for fear of being perceived as racist if they don't. If I were currently editing a magazine, I'd simply use the opportunity to repeat "Zine X welcomes submissions from writers of all ethnic backgrounds." I'd probably also mention two things that I enjoy seeing in stories by/about people of color: 1) stories inspired by the author's ethnic background, and 2) stories with dimensional, engaging characters of color. Frex, Octavia Butler's fiction spanned numerous aspects of African diaspora motifs and issues, and she had some highly memorable characters.

I am keeping an eye out for editors who are taking advantage of the high profile discussion to let people know they're interested in such stories, in a way that sounds deeper than knee-jerk panic. If they're only calling because they don't want to be considered racist, meh, that's nice but it doesn't bump them up my read or submit lists. If they sound like they're interested in stepping outside the heavily overtrodden McFantasy set in pseudo-Europe, that would bump them up. So far I haven't seen any of the latter, but if you-all spot any, I'd love to hear about them.

The flurry among other editors may also illuminate the difference between tokenism and representation: If they're only buying a story because the author is a person of color and they don't want their magazine to seem racist, that's tokenism. It's an improvement over racism, but in a small "cannibals with forks" kind of way. However, if they're buying a story because the author's ethnicity lends richness to the storytelling and creates something intriguingly different than stories told by caucasian authors, that's representation. It makes the magazine a venue for all different kinds of voices, which makes for an interesting read. As in other types of employment, the difference is a matter of depth: tokenism is surface without substance, intended to hold true change at bay; while representation entails structural differences that capitalize on the advantages of diversity.

What are some of your favorite stories/books that draw on diverse ethnic inspiration? What magazines seem to print a stead supply of such stories? Who are some of your favorite ethnic authors?
Tags: fantasy, reading, science fiction, writing
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  • 6 comments
Cannibals with forks! *snerk!*

Honestly, I don't even know what race most of the authors (and artists!) that I like are, so I couldn't tell you which ethnic author I most like. I grew up in a fairly isolated area, so "Southern" is as weird and culturally different and full of interest to me as "African American" or "Outer Mongolian" or "Omega Persei Eight-ian."

It doesn't matter to me - the words are in black on white in the end.
Other aspects of identity are worthwhile too, as you note. Regional perspectives can be wonderfully diverse, although I think we're losing some of that as America homogenizes itself. I did a panel once called "Local Color: Cities as Characters" that looked at such examples as the portrayal of St. Louis by M.R. Sellars and Laurell K. Hamilton, Toronto by Tanya Huff, etc. Duotrope's Digest has a "regional" search tag for markets:
http://www.duotrope.com/index.aspx