Posted by: "Carol Berg" Thu Aug 30, 2007 2:37 pm (PST)
There's certainly nothing intrinsically wrong with opening a novel with a funeral. The problem being addressed is cliche. Funerals have been so overused as "dramatic openings" that editors and agents (and readers!) are tired of seeing it and may assume that the rest of the story is same old-same old as well. Best not to invite them to throw the manuscript aside.
Other overused openings? Births (I heard Anne Groell - senior editor at Bantam Spectra - say births are the single most overused opening.) And car accidents. And - omigosh - dreams!
I was judging a regional writers' group on-the-spot reading the other night. 25% of the readings began with a car accident or a dream.
Nothing wrong with any of these things. It is just better to come up with something more original to hook a reader.
As for "that," the first useful critique I ever got mentioned the very same thing, as well as my failure to allow my characters ever to use a contraction. I just had to laugh. It was SO true. I find that reading my work aloud helps me eliminate LOTS of things like this (plus helping me find many other problems.)
Carol
--
Author of FLESH AND SPIRIT, new from Roc Books in May 2007,
BREATH AND BONE, forthcoming in Jan 2008,
http://www.carolberg.com
Sage Woman
Anonymous
September 2 2007, 04:33:32 UTC 13 years ago
Brianna
Re: Sage Woman
September 2 2007, 21:12:20 UTC 13 years ago
September 3 2007, 01:03:14 UTC 13 years ago
September 4 2007, 15:38:21 UTC 13 years ago
It starts with... a DREAM.
And a really long boring one.
And then it moves on to the main character interacting with people once she's woken up, in ways that resemble the dream.
SUCH a bore. I gave up on that book -- and that author.
September 4 2007, 18:06:52 UTC 13 years ago
Cliches are great for practice, because if you can learn to handle them well, you know you're doing a *fabulous* job of writing. Also they deal with many popular motifs. One reason it's important for writers to read widely is so that they will know when a story is leading them into heavily traveled territory. In my opinion -- as a writer, reader, and editor -- that's not necessarily a reason never to go there; it just means you need to be extra careful about justifying the trip and making it worth the reader's time.