Elizabeth Barrette (ysabetwordsmith) wrote,
Elizabeth Barrette
ysabetwordsmith

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Poem: "Threads of Magic"

This poem came out of the May 3, 2011 Poetry Fishbowl.  It was inspired by prompts from natasiakith and aldersprig.  It was sponsored by natasiakith.  I've always been fascinated by quilt magic and folklore; my grandmother was a quilter, and I've done a bit with this myself.  Among the sites I searched were Quilt Magic with its page on experienced magic, and the "quilt codes" of the Underground Railroad.  Quilts are a form of folk art, and like folk tales, they are a part of history that often remains hidden.  Yet these aspects of culture can be far more pervasive, powerful, and enduring than the "fine art" or "great literature" accessible to only a few.


Threads of Magic


Quilters know
the magic of needle and thread,
the stories told in fabric,
the things handed down
from grandma to granddaughter.

There are the hints
about how to make a quilt comforting --
the cat hairs for catnapping,
the tufts of wool for counting sheep.

There are the reminders of humility --
make one small deliberate mistake
because only God can create perfection,
or because a small mistake prevents a large one.
Leave your seam ripper open,
and you won't have to rip seams;
but close it, and you will.

There are the bits of women's wisdom --
if an expectant mother makes a baby quilt,
saving all the snips of thread and cloth
in a bottle to be buried near her home,
then her baby will be born safely.

There are the stories,
never written down, only told,
that quilts marked the routes
of the Underground Railroad --
Tumbling Blocks to say
that a conductor was coming,
Flying Geese and the North Star
to show the way to freedom,
Drunkard's Path as a warning
to avoid the hunters,
Log Cabin as a sign
for a station.

Quilt magic ain't fancy,
ain't meant to be.
Quilt magic gets the job done,
on the quiet,
sure and strong as women's hands.

Tags: cyberfunded creativity, fishbowl, history, magic, poem, poetry, reading, writing
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  • 12 comments
Wonderful.
I'm glad you liked this.
Oh, I love this!
I'm happy to hear that.
I love it too.

Mom quilted, when I was younger. She made an amazing quilt for my grandparents' 50th wedding anniversary.

I haven't made a quilt, but I did learn basic sewing skills, and an appreciation for scraps of fabric.

Thanks!
I don't have the time for full-scale quilting, but I really admire it. Most of my sewing is garments. *ponder* Though I did a series of very eye-catching tabards for ritual wear, with applique work, that was largely inspired by my grandmother's quilting. So for instance, we have a solstice tabard in black and white with a counterchanged sun on the front.

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There are, of course, different kinds of quilt. The core of quilting is a folk craft, because it's based on scraps. Some art quilts are really more akin to tapestries, as wall art; but others are perfectly functional bed quilts too. Art quilts can be intensely magical; I've seen a number of those. So it varies.

There's a version in my main fantasy world, called a kiss-me quilt, that is made entirely from scraps. When Waterjewel started, they were really scarce on resources. So they would start by piecing together the largest scraps into a bottom layer, and then sew more scraps on that, often using threads picked out of the cloth. If it wears through in one place, just add more fabric over the hole. With time, the tribe flourished, and the quilts became more elegant. But they never forgot how to make the original.

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It depends on the artist, I think, as much as the styling. The oldstyle, handmade, bed quilts often do have more soul in them though.

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>>Thinking about it like that, part of it might be the fact that the ones we've got up were made as work for hire, just to be displayed in the store.<<

Oh yeah, that'll do it. No zip at all.

>> I'd wager that someone putting together one of these designs for themself or a loved one would probably end up with something noticeably different in feel and vibe. <<

Likely so.

Come to think of it, all the quilts I've seen with strong energy to them were either handmade originals, handmade from a traditional or art pattern for family, fine art for expression and display, or spiritual folk art. So for instance, there's a cross-stitch quilt that my grandmother made from a pattern. There was a set of small wall-art quilts hung in a bookstore, in a set with a fantasy theme. There was a set of large folk-tapestry quilts in the Baha'i House of Worship in Wilmette, IL that illustrated scenes from the religion's history. That sort of thing. It really depends how much of yourself you put into it.

Even my tabards, which are 2-layer applique and not padded, have a lot of energy to them because they were made for ritual use. The pieced ones have more fizz than the ones that are plain, because they take more time and concentration to make.
I love to handle the family quilts, each patch with a story behind it. Unfortunately, some are getting too fragile to use, any more. My aunt helped restore Grandmother's Flower Garden in the 1970s, so it has my great-grandmother, my grandmother, and my aunt involved. Old scrap quilts are amazing.

Of course, my sister-in-law does amazing art quilts, too. She's been re-interpreting the wildlife from my father's 1929 Art Deco murals on Catalina Island as quilts. The monkeys have been featured in quilting magazines. And they're durable, too! I'm sure they will outlast us all...
Good ole folk magic. :)
I found some really fun references for this poem. I like all kinds of folk magic, and quilting is a good source.

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