This poem was prompted and sponsored by nhpeacenik.
The psychic photographer does not know
why people are following her.
She isn't very good yet --
she needs to work on her focus,
and she needs to improve her framing,
and when she tries to put her finger on what's wrong
it shows up on the film.
But people are following her anyway.
At first she eludes them by luck.
Then she eludes them with foresight,
snapping images of where they will be
so she can be somewhere else.
When she catches one of them
passionately kissing his mistress
she gets an idea.
That's the first photo that she sells to a tabloid
before the event in question actually happens.
The timing, she discovers, is tricky.
She has to release the incriminating evidence
early enough to be impressively predictive,
but not so early that the victim can spot it
and avoid fulfilling it.
As she studies her stalkers more carefully,
she begins to lose interest in racehorses
and partial lottery numbers.
Instead she learns what they do
when they're not chasing her,
where they work, what they fear.
She learns they are hired by politicians
and by the military,
and that spooks -- like cockroaches --
are terrified of the light.
Smiling, the psychic photographer
visualizes exchanging her long telephoto lens
for a short-range zoom
and a flashbulb.
GiggleSnerk
August 4 2010, 12:29:56 UTC 10 years ago
I especially liked the line
"and when she tries to put her finger on what's wrong
it shows up on the film."
Re: GiggleSnerk
August 4 2010, 17:26:45 UTC 10 years ago
"and when she tries to put her finger on what's wrong
it shows up on the film."
I love working with all kinds of imagery. I try to find things that will match the theme of a given poem -- and in this case, I'm using a common metaphor to bridge the everyday experience of shooting a camera with the mystical exercise of psychic photography. The far-out becomes more plausible when linked to the familiar.
Re: GiggleSnerk
August 4 2010, 17:27:28 UTC 10 years ago
I agree. Both more plausible and more stunningly far-out.
Re: GiggleSnerk
August 4 2010, 18:03:41 UTC 10 years ago
http://www.sfwa.org/members/elgin/SFPoetryHandbook/Index.html
Re: GiggleSnerk
August 5 2010, 00:24:44 UTC 10 years ago
Yes, wonderful, thank you for the link
Re: GiggleSnerk
August 5 2010, 00:34:36 UTC 10 years ago
There's a subtle art to settling unfamiliar ideas into people's minds without startling them in the wrong way. *ponder* I am far better at subtlety in poetry than in most other place.
Re: GiggleSnerk
August 6 2010, 13:17:32 UTC 10 years ago
Re: GiggleSnerk
August 6 2010, 17:04:28 UTC 10 years ago
This is why, as a writer, I try to pay attention to what my characters are noticing. Some of them are obsessed with food, some with clothes, others are like bloodhounds and only notice the trail of action they're following so that the surrounding just kind of fade out. I watch for the moments when someone lifts their gaze to the horizon, or the sky, because it helps the readers understand that there's a whole world out there, and it is not small. Detail, detail, detail ... scope. This works well enough for me that I've had readers make long-jumps to conclusions based on reading between the lines, and peg what obscure culture I was using for partial inspiration, or things like that.
Re: GiggleSnerk
August 13 2010, 13:43:03 UTC 10 years ago
Re: GiggleSnerk
August 13 2010, 16:36:58 UTC 10 years ago
Re: GiggleSnerk
August 13 2010, 16:37:28 UTC 10 years ago
August 5 2010, 02:41:51 UTC 10 years ago
And I just LOVE the way she turned the situation on her stalkers. That is just great and so satisfying.
Ha, selling things to tabloids before they happen. It doesn't even sound very science fiction...
Yay!
August 5 2010, 04:53:47 UTC 10 years ago
Score! It probably helps that I've been doing more with photography over the last year or so.
>>And I just LOVE the way she turned the situation on her stalkers. That is just great and so satisfying. <<
Stalking, or spy-tailing in this case, is all about control and one-sided knowledge. They really don't expect people to turn the tables on them, but it's a very effective way to deal with the situation. When people are leaning on you that hard ... they've put themselves off balance. That's very exploitable.
>>Ha, selling things to tabloids before they happen. It doesn't even sound very science fiction...<<
Just barely! ;) I wouldn't be surprised if someone had tried this.
August 5 2010, 19:45:14 UTC 10 years ago
Thank you!
August 6 2010, 06:12:18 UTC 10 years ago